Eliza Carthy + Jennifer Reid

Eliza Carthy

 

If there is one musician who embodies the dynamism and vitality of the current English folk revival, it’s Eliza Carthy MBE.

As the daughter of folk legends Martin Carthy and Norma Waterson, Eliza grew up immersed in the world of traditional music and from an early age was championed
by John Peel, Andy Kershaw and Billy Bragg.

Beloved of staunch traditionalists and iconoclasts alike, Eliza’s music effortlessly crosses boundaries of genre and style. Whether solo or fronting a big band,
performing a centuries-old ballad or a self-written song, her powerful, nuanced voice, fiercely beautiful fiddle-playing, and mesmerizing performances have
influenced a whole generation of young musicians.

Twice nominated for the Mercury Prize, and winner of innumerable other accolades over her thirty-year career, Eliza has performed and recorded around the world
with a diverse array of artists including, Paul Weller, Rufus and Martha Wainwright, Patrick Wolf, and Jarvis Cocker.

Describing herself simply as a modern English musician, she is one of the most impressive, engaging, and important performers of her generation.

"Unarguably the queen of English Folk" ~ The Observer
"Not the Messiah, but a very naughty girl" ~ Stewart Lee


Jennifer Reid performs 19th Century Lancashire dialect work songs, Manchester broadside ballads and clog steps. She played Barb in Shane Meadows’ critically acclaimed period drama The Gallows Pole on the BBC.
She works across academia, folk performance, heritage consultation and media to bring industrial history back to the people.